Reunion Blues Backstage Banter

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Reunion Blues – Adventures at SXSW 2011

Austin, TX - Music Capitol of the World?
Every spring aspiring and professional musicians alike descend on Austin, TX for the annual SXSW music festival, joining promoters, managers, marketers, and music fans for a week of frantic live music, parties, and general chaos. The festival has expanded to include “Interactive” and “Film” conventions catering to the Mobile/Tech and Independent film industry… but the heart of SXSW is clearly the music.

Upon landing in Austin it’s apparent that this is a music town. Guitar cases and gig bags abound, resting in hands and slung over shoulders throughout the airport terminals and dotting the curbs and corners of the 6th street mecca.

Reunion Blues hit Austin to participate in the “Gear Expo” – a sideline convention designed to put MI companies in direct conversations with our most active customers – the musicians slugging it out amidst the crowds and in the clubs, each hoping to catch a break in the ever changing, highly competitive, and always challenging music business.

While the festival has gotten pretty massive in it’s 25 years, featuring some of the top names in popular music (Foo Fighters, Kanye West, and Bright Eyes were just a few of the “headlining” acts this year),  most of the venues served as showcases for new and upcoming “independent” acts. I was fortunate to be able to catch several showcases over the course of the week, enjoying some great young bands I was familiar with and finding a number of new acts that demand attention.

My first showcase experience at SXSW, which also turned out to be the most memorable, was Esben and the Witch, hailing from Brighton, England. Anyone who knows me will confirm my obsession with so-called “dark” music, and having just discovered the brilliant Violet Cries record a few weeks before SXSW, I was really looking forward to this show.

The band loaded in their own gear and did their own soundcheck, which brought back memories of my own gigging past… no rock star egos here, just hard-working musicians getting ready to give their best to the crowd. And give they did.

Esben and the Witch

Daniel Copeman (in silhouette) and Rachel Davies performing "Eumenides" @ SXSW 2011

Rachel Davies’ siren-like voice brought an ethereal warmth to the bleak soundscape of guitar, noise, and pulsating beats constructed by Daniel Copeman and Thomas Fisher. At one point during the performance, all three members took turns battering a single floor tom, which conjured the impression of  some antediluvian pagan rite, and during the closing track “Eumenides” Daniel dragged the drum out into the crowd while Rachel pummeled a crash cymbal for the song’s finale. The whole experience was so “punk”…  it elevated Esben from “band to watch” to one of my favorite bands (and I made sure to catch their set the next night.)

Had that been my only live music opportunity at SXSW I think I could have gone home happy, but this was only day one… and as the crowds descended on downtown Austin, the bands gathered in all of the city’s near 200 venues to play to industry and fan alike (some performing 10 or more times over the course of the week!) Frankly, there were so many bands playing at any given time (over 1800 bands on the “official” showcase list) that inevitably some great talent would be missed (Zola Jesus, I’m sorry!)

Here are a handful of other great bands I caught during the week:

Junius

Junius are one of the best rock bands around in my opinion... making heavy but "artsy" music... no one else could pull off a hard rock art record about Immanuel Velikovsky! They totally owned this crowd.

Menomena

If you haven't heard their "Friend and Foe" record you need to pick it up immediately. By far the most creative CD artwork packaging ever made.

Lavinia

From Boston, MA. Their songs build nicely, from melancholy to heavy rock... their new EP "There is Light Between Us" is excellent!

Tigers That Talked

Hadn't heard of these Brits before SXSW but they won me over... great songwriting with bursts of punk energy.

Weekend

Hailing from San Francisco... The bass player sound checked with "Age of Consent". They sound a bit like Joy Division played through some of Oliver Ackermanns effect boxes and they totally rocked.

Violens

I really love these guys... they play complex pop music that manages to incorporate influences ranging from Norwegian Black Metal to the Smiths and from the Beach Boys to New Order. Awesome.

Braids

Another new discovery for me... lush ambient and psychedelic pop. A great find!

Class Actress

Fat Analog synths and 80's dance pop... Elizabeth Harper was really cool, after the show I mentioned to her that my wife was a huge fan and she dug a CD out of her bag so I could bring home a souvenir. Classy!

Battle Circus

Hailing from New Zealand, these guys play aggressive and complex music that appeals to my proggy side. Looking forward to picking up their record as soon as possible!

All Axess shares another lesson with John 5 – watch here

A couple of weeks ago All Axcess All Axess posted a video taken while John 5 was in Birmingham UK on the UK leg of the Rob Zombie tour, where he went througha little lesson a little lesson for the fans. In that video he went through how to “Chicken Pick”.

This week the guys have posted another video from that series, and this time John 5 shows viewers how to play a Spanish Guitar style lick.

In the step by step video he shows you how to play this style with ease.

“On the road” with Reunion Blues RB Continental

The following RB Continental story just came in from Reunion Blues artist Markus Reuter:

Hi Dave,

Great to have the RB Continental. Quick story: All our luggage incl. the instruments dropped out of the back of the van because the driver had not latched the doors properly… It was quite a shock. Fortunately there were no cars behind us and my U8 was protected well by the RB Continental. No damage! It saved the tour.


Hope you’re doing great.
Markus

You can catch Markus on tour in Europe with
Stick Men (Tony Levin, Pat Mastelotto, Markus Reuter)

Euro dates:

March 31 Rome IT/ XRoads
April 1 Forli IT/ Naima
April 2 Trofarello IT / Il Peocio
April 3 Lugagnano IT/ Il Giardino
April 5 Nice FR/ Cedac de Cimiez
April 6 Milano/ Blue Note
April 7 Barcelona ES/ Sala Bikini
April 8 Mallorca ES/ Teatre Trui
April 9 Pisa IT/ Borderline
April 10 Genova IT/ Aud. del Porto Antico
April 12 Zürich CH/ Exil
April 14 Bratislava SK/ Muzeum Obchodu
April 16 Reichenbach D / Bergkeller
April 17 Münster D / Hot Jazz Club
April 19 Pratteln CH / Galery Music Bar
April 20 Istanbul TK / Romeo Juliette Performance Hall

Markus Reuter, Pat Mastelotto, Tony Levin
Markus Reuter, Pat Mastelotto, Tony Levin

Jamming with Holograms

The Band
The Band
With the rapid thrust of technology affecting our daily lives, I’m waiting for an application that allows you to fill a room with holograms from a video of your favorite band in concert. I’m not talking about 3D pictures on a screen, but holograms of actual concert footage…real 3D in a room. Is this possible? I’m assuming it will happen at some point, hopefully in my lifetime.

For instance, how about The Beatles playing on top of Apple Studios in 1969, or The Band’s Last Waltz at Winterland Theatre? I want to pick up my guitar and jam alongside of John Lennon or Robbie Robertson and Levon Helm. I mean stand right beside them, or behind them, or in front of them (or their hologram image). Use computer imagery to add those extra dimensions. Talk about being in the moment, being in the zone. That would get me there! How about the Rolling Stones at Altamont? Not only could you jam with Mick and Keith, you could feel their fear as Hells Angels roamed the stage and crowd…I’m getting sidetracked and, well, you know the story. Or you could swing with Duke Ellington or even croon with Bing Crosby. The possibilities are endless. Whatever your style of music, join the band!

Talk about a great tool to inspire musicians and allow for an out of body experience, this is it, all in one. If someone is working on this please let me know, I’ll be the first to buy it. I’ve never been an “early adopter” when it comes to technology, but for this, sign me up! Come on you computer programmers. Let’s get on it. I even have a name for it: Holojams!

We Want Moore…

Gary MooreBut unfortunately due to the tragic death of Irish Superstar Guitar legend Gary Moore over the weekend we wont’ be getting any.  This is not going to be an obituary.  You can get all the pertinents elsewhere if you wish. Rather this is a personal recollection of what the man meant to me and how much he’ll be missed. For my money Gary was the best rock guitarist that the Emerald Isle ever produced along with Rory Gallagher (solo artist, Taste)  and Vivian Campbell (Dio, Def Leppard), apologies to The Edge but the whole looping, delay thing never really did it for me. Coincidentally enough all three of these world-class guitar slingers hailed from the same small six county territory of Northern Ireland! I mean what are the odds?

Gary was probably best known for his work with 70′s rock legends Thin Lizzy, in particular the Black Rose album from the late 70′s, and for his more recent blues endeavors, particularly the blockbuster Still Got The Blues album from the early 90′s. But it was his solo 80′s rock records that first captured my imagination.   Particularly the Corridors of Power (1982), Victims of the Future (1984) and Wild Frontier (1987) releases.  Gary’s playing style combined a ferocious attack with power, fluidity, speed,  melody and feeling unmatched by most in the genre except for perhaps, another long time favorite of mine, Herr Michael Schenker (Scorpions, UFO, MSG) .

Unfortunately for us fans of heavy rock guitar playing Gary pretty much stuck with the blues thing for the last 20 years or so and hadn’t shown much interest in getting back to the Hard Rock style (similar to the way Vivian has disowned his Dio years) until just recently.  Rumor has it that he had been working on a Celtic Rock album in the vein of Wild Frontiers but now, sadly, we’ll likely never hear the results of that.  I must admit that Gary had fallen off of my radar a bit lately until a couple of years ago when my wife gave me the Gary Moore One Night Live In Dublin Tribute to Phil Lynott DVD (video) .  This thing knocked me on my ear! Talk about a master class of Gibson/Marshall tone. Not to mention playing that will have knock your block off. If you’re a fan of heavy rock guitar playing and have never seen this DVD it’s a must have.  Miraculously this man hadn’t lost a thing over the years and if possible was even getting better.  Who does that?? Except for Jeff Beck of course.  Anyway this is my favorite song off of the DVD. It was filmed at the Point Theatre in Dublin Ireland on the same night they raised the Phil Lynott statue on Grafton Street.  I can’t imagine what it must have felt like to be Irish and in the crowd on this night as just watching the DVD made the hair on this Yanks neck stand on end!!  So enjoy and say a small silent thanks and goodbye to a true giant the likes of which may never be seen again  Gary Moore/Scott Goram Black Rose RIP Gary you were a BAD MAN!