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Where Did Your Music Journey Begin?

While in college I had to take one of those philosophical mumbo-jumbo classes. Each of us was required to write our own autobiography. We had to pick one or two turning points in our lives and use those as springboards for our stories. I knew right away the exact turning point in my life I wanted to focus on and the origin of my music journey was just that.

 

When I was around 10 or 11 years old I made a trip to the local record store (remember those?) with my family knowing that that I wanted to expand my music horizons with “cool” music. I had to buy the record myself so instead of CD section I headed straight for the tapes (remember those :) ) I picked up Nirvana’s Nevermind and Metallica’s ReLoad because they were “cool” but not too “cool” for my own good (it was the late 90′s). With both tapes in hand I went up to my older brother, stuck them in his face and said, “Which one should I get?” His exact words were, “Get Metallica, everyone has Nirvana.” Those are the words that changed my life forever.

 

I took the tape home and couldn’t stop listening to it. It spawned my love for Metallica (I started playing guitar because of Kirk Hammett) which opened my eyes to heavy metal and hard rock music which shaped my junior high and high school years. Diving deeper into the origins of hard rock led me to blues music which led me to early country and bluegrass.

 

I tend to have a little ADD when it comes to music and can never stay on one type of music very long. Maybe that helped me explore and like many different genres of music along the way. However, I consider that one fateful conversation with my older brother to be the beginning of my musical journey that has and will always effect my life for the better.

 

Where did your music journey begin? Who turned you on to the wonders music had to offer?

What is music to YOUR ears?

How do you define “music?” Forget about Merriam Webster on this. They give it a good try, but frankly it’s just as hard to define music as it is to define love, or truth, or art.

All of us listen to our favorite music artists for one reason or another. People even experience music in other ways than hearing alone. I know someone who is partially deaf and has a touch of Synesthesia.  She tells me that, for her, the French horn sounds exactly like the taste of chocolate milk. There are probably just as many reasons for appreciating music as there are genres and styles of it, which makes a truly objective definition of music seem less plausible than a perpetual motion machine.

When you listen to music, does it calm and soothe you, or make you want to move and shake? Does it make you want to pump your fist and bang your head, or does it move you spiritually and elevate your consciousness? Do you listen to music because it stirs your heartfelt emotions with its evocation of sadness, joy, triumph, or longing? Or do you listen to music that tells you a story, or helps you relive one of your own? Perhaps you enjoy music that repulses and frightens you with chaotic sounds and grotesque imagery?

Most of us tend to gravitate toward the familiar in our daily lives, and this definitely includes our music.  This habit can lead to a very narrow definition of the word. We’ve all heard someone say “I love music, but I can’t stand rap (or disco, polka, Norwegian black metal, etc.). “That’s not ‘Music!’” Many others would beg to differ. By opening our minds a little and becoming more adventurous, any of us can expand our personal definition of music to include more possibilities for our listening pleasure.  Try listening to something different for a change, just for the adventure of it. You may discover not only some things you didn’t know you’d like, but perhaps even a new favorite or two.

Here are a few examples music that are pretty different from each other, but each is – for someone – the very definition of “music”.

John Cage – Child of Tree

Altai Hangai – Khookhoo Namjil

Konono No 1 – Lufuala Ndonga

伝統音楽デジタルライブラリー 尺八演奏 「鹿の遠音

Brothers Horse – Cardinals Girls & Money

My Favorite Music Club: P.B. Scotts Music Hall in Blowing Rock, NC

There are the big name music clubs, famous in folklore and popular culture…The Fillmore West in San Francisco, The Fillmore East in New York, CBGB in NY, Tipitinas in New Orleans, The Fox in Atlanta, The Royal Albert Hall in London, the Whiskey A Go-Go in L.A. I’m sure you can add to this list. Once upon a time, high up in the Blue Ridge mountains, there was a club in little ol’ Blowing Rock, North Carolina that was the center of the music universe for many of us that were lucky enough to be there. It was called P.B. Scotts Music Hall and almost 30 years after it closed, it has a Facebook page (Remembering P.B. Scotts) and an annual party to celebrate its reign from 1976-1983.

What made it so special? Did it happen to exist in the golden era of great music? Was it the geodesic dome-shaped wooden building and the feng shui? Was it the high quality performers? Was it the stage? Was I at the age where everyone finds their favorite music spot? Was it the sound man and state of the art Bose sound system? Was it the crowd that came every night expecting great things and ready to make a party happen? Was it the beauty of the Blue Ridge mountains? Was it the party in the parking lot? Heck Yes! It was all of these things. At the time, the disco craze was sweeping the country and I think most people who were there would agree that P.B. Scotts was just the opposite of Studio 54 (the infamous disco club in NY). You did not have to be a celebrity to get in and there were no disco balls.

I saw some incredible, big time performers that played there including Greg Allman, J.J. Cale, Ramsey Lewis, Molly Hatchet, Papa John Creach, andThe Nighthawks (!). B.B. King also played there but somehow I missed that one. My all-time favorite show was the Dixie Dregs. Don’t let the name fool you because they played more styles of music than a jukebox on steroids. Their playing was very dynamic, taking you up and down, fast and slow and they could turn on a dime. This all-instrumental band was fronted by guitar player extraordinaire and band leader Steve Morse. He is probably more famous now for his stint as the latter day guitarist for Deep Purple. But I bet his heart will tell you that The Dixie Dregs at P.B. Scotts was as good as it gets from a musician’s standpoint. The audience hung on every note and beat while dancing, swaying and jumping to the music, only a few feet away from the band. And let’s not forget the regional bands that played there like The Spongetones, Sidewinder, Razz Ma Tazz, etc.! Did somebody say Snuff?! Herein might be the key to P.B. Scotts rating as my favorite music club of all time. It did not matter who was playing. It was always exciting and I don’t remember an off night. Watching and listening to a musical performance there was a very zen experience. You became totally absorbed in the here and now. Tomorrow did not matter.

P.B. Scotts only held about 800 people. In front of the chest high stage was a dance floor. It seemed like the perfect height for a stage. There was a 2nd level balcony and a smaller 3rd level balcony. My favorite spot was the 2nd level, but the dance floor was a good place to go crazy.

Soon after it opened in 1976, I attended my first show. I don’t even remember who played that fateful night, but when I walked through the front doors I felt like I had entered the coolest place in the world. That same feeling came over me every time I went in. Fast forward to 1983. I moved to California and about one month later P.B.s (as we liked to call it) closed, finally succumbing to some funky local laws requiring establishments to serve more food than alcohol. So I got to experience pretty much the whole spectrum of people and music. I will venture to say that I hung out and attended more shows there than anyone, other than employees, and more than some of them. Like that old saying goes, “no brag, just fact”.  I welcome any friendly challengers on this.

One special night in 1982, they had a “Local Band Night”. My band, Crash Landing, performed along with another local band called Justus. What a thrill! Our opening number was the Van Halen version of “You Really Got Me”. During the intro, we almost blew the place up with our homemade pyrotechnics/light show consisting of photographic flash powder in Maxwell House coffee cans.  Just a little too much of the flash powder, but what an intro! It sounded like a bomb went off throwing a huge rush of warm air across the room, and the flash powder blinded everyone for a few seconds. On guitar was Karl Tellekamp, myself on bass guitar, lead vocals by Doug Buttner and Joe Helms on drums. We specialized in tunes by Jimi Hendrix, Van Halen, Robin Trower, ZZ Top and we even had a few original songs. You know Karl had some serious chops to cover those guitar heavyweights.

So how did a music club like this spring up in the Blue Ridge mountains of NC? In 1976, the population of Blowing Rock NC was about 500 year round residents (that’s right, 500). But, it was an affluent part of Watauga county with many summer homes, and in 1976 it was the only town in the county where you could buy alcohol. It was the go-to place for entertainment and nightlife. At first glance, an outsider might look at Blowing Rock and see Mayberry. There were certainly some of the good elements of Mayberry, but it was more complicated than that. Consider the demographics of the region’s population. There was a strong local community, going back for generations, who had a great appreciation of music. There were also many “alternative” people running away from cities to retreat into a simpler mountain lifestyle. Can we call them hippies? There were also the Florida tourists and transplants. But mostly there was Appalachian State University in Boone NC (only 8 miles away) which accounted for the bulk of P.B. regulars…students from all over North Carolina. Swirl all of these people around with a lot of beer and primo music and you had something magical. If I could bottle whatever it was that made it so special, I would be a rich man. But, I am definitely richer, having spent so much time at P.B. Scotts. And short on a few brain cells.

There can never be another place like P.B. Scotts, at least not for me. It was definitely a product of the times. If you were lucky enough to be there, cherish it.

Have any of you had similar experiences with a music club? Let me know about it.

Nashville… “Off Broadway”

A couple weeks ago Reunion Blues had a booth at the 2011 Nashville Summer NAMM show, where we presented our classic leather gig bags and RB Continental cases to music store employees, manufacturers, and professional musicians. Whenever I get the opportunity to travel to other cities I make it a point to try to get a taste of the local music, and this trip was no exception.

Nashville is well known for it’s vibrant music scene, which is concentrated in particular along a several block stretch of Broadway that is lined with honky-tonks, brewpubs, and bars, and filled day and night with musicians strumming, singing, and hoping to catch a break in the city’s ultra-competitive music scene.

As my tastes tend towards the eclectic and obscure, I was looking for something a little bit out of the ordinary. After some research I found an intimate venue located beneath a popular local indie record store just a couple miles from downtown, appropriately called The Basement.

The Basement - including an authentic burnt out letter "T"

This sounded like my kind of place! Jesse Grossmann (our Inside Sales Manager) and I wrapped up the NAMM show, then caught a cab out to 8th Avenue to check it out.

Things got rocking pretty early with opening act Nikki Lane, who was backed by an exceptional group of musicians alternating between twangy americana rock & classic country balladry, with pedal steel complementing Nikki’s melodic vocal style.

The sound was mixed well and the venue was small and intimate – in my opinion an excellent formula for live music (arena shows=meh.)

When Amy LaVere took the stage I could tell we were in for something special. Wearing a venetian style eye mask and with a massive upright bass in tow, she began with a deep subterranean New Orleans groove, backed by shuffling drums, violin, and guitar.

Amy LaVere, performing "Red Banks" from her new record.

Conjuring echoes of Nick Cave, PJ Harvey, and even Billie Holiday, but with a voice and style all her own, Amy and her backing band rolled through an hour and a half set of down-home gypsy jazz peppered with the singer’s quirky and colorful banter. The musicianship was outstanding, the songwriting unique and intriguing, and the setting perfect. Great artists have a way of drawing you in to their world, and Amy LaVere did so with charm and skill. If she happens to be traveling through your neighborhood this summer do yourself a favor and catch the show. Better yet, pick up her new record “Stranger Me” (it’s already getting great reviews so I’d expect we’ll be seeing a lot more of Amy in the future).

Speaking to several of the locals the next day, we discovered that the Basement is fairly well known as a hangout for art-inclined musicians and music fans alike. It felt like we were let in on a little local secret. If you do make it out to Nashville and are looking for an antidote to the Broadway scene, take a drive out to the Basement. For me at least, this is going to be a Summer NAMM tradition.

County Fairs Rock!

My best musical concert experience so far this year came at our local Sonoma-Marin Fair right here in Petaluma, CA just about a month ago.  Granted our favorite little fair is the exception to the norm when booking musical talent.  The San Francisco Chronicle rated it’s lineup tops amongst all Bay Area Fairs this year for featuring the following headlining acts.

Wednesday night were local funk legends Tower of Power.  According to friends who attended they were soulful as ever and really got the place moving.  Thursday night was power popster Rick Springfield (cue Jesse’s Girl!)  I hear some of you snickering into your Starbucks but Rick has always been a musician first and has continued to record new material and play live through the years to mostly positive reviews.  My wife attended this show with her good friend who is a Rick Maniac and reported that it was the best show she’d ever seen at the fair and she’s seen Cheap Trick and Joan Jett there in previous years so that’s saying something.  Friday night was the indomitable Charlie Daniels Band and while I have no first hand reports of the proceedings I’ve never heard of Charlie Daniels putting on a bad show so I’m guessing it was excellent.  Which brings us to the main event Saturday night and my review of the current incarnations of Foghat and Blue Oyster Cult. While these bands may only have 4 out of 9 original members they both gave 4 Star performances.  

Foghat kicked things off with a set that more or less resembled the following: Road Fever, Take Me To The River (yes they did it first and better if you ask me!) My Babe, Drivin’ Wheel, Stone Blue (my personal fave of the night), Fool For The City, I Just Wanna Make Love To You and of course Slow Ride. Original drummer Roger Earl and longtime bassist Craig MacGregor were joined by hired hands singer/guitarist Charlie Huhn (Victory, Humble Pie, Ted Nugent) and lead/slide guitarist Bryan Basset (Molly Hatchet, Wild Cherry) and delivered a tight, superb sounding set with energy, enthusiasm even breaking into a few bars of Play That Funky Music during band introductions.  Foghat summary: Original members 2 of 4.  Performance 4 stars out of 4. Total stars = 6 out of 8!

With it starting to get dark I went to get a corn dog and then back to get a good seat for the mighty Blue Oyster Cult.  Needless to say they didn’t disappoint.  Buck Dharma was a revelation, taking center stage,  playing his swiss cheese Steinberger guitar all night and making incredibly fast, fluid, complex guitar runs look deceptively easy.  Joined by partner and founding member Eric Bloom on vocals, keyboards and guitar along with sidemen Jules Radino on drums, Richie Castellano on 2nd guitar and the incomparable Rudy Sarzo (Quiet Riot, Ozzy Osbourne, Ronnie Jame Dio, Whitesnake) on bass they absolutely delivered the goods. They played the following set (give or take a tune or two): The Red and The Black, Burning For You, Buck’s Boogie (instrumental), Cities Aflame With  Rock N Roll, Godzilla, Don’t Fear The Reaper, Shooting Shark and Hot Rails to Hell.

I found it a bit odd but refreshing to hear them play so many deep cuts and even an instrumental. My only disappointment was in not hearing Take Me Away which surprised me as it’s one of their biggest hits and one of my favorite songs.  One particular highlight was during band intro’s when they introduced Rudy, mentioning all of the amazing acts he’s been a part of  and playing a snippet of a tune from each band.  It was kind of odd seeing LA Sunset Strip Rock God Rudy Sarzo with locks flowing jamming with such a quintessentially buttoned down bunch of close-cropped New Yorkers as BOC butt at least he didn’t lick his bass!  BOC Summary: Original members 2 of 5.  Performance: 4 stars out of 4.  Total stars 6 out of 9! All of this for $15.00??  I can’t wait to see whose playing next year!

What’s your best concert experience of the year so far? Let me know in the below comments section.

Photo Credits: Erum Karim, RiverRatt3, chascar

Uke Guys R Making Me Crazy!

When I think of a ukulele, images pop into my head of all my trips to Hawaii; There’s always a large Hawaiian male playing an instrument unproportional to himself, with a grin from ear to ear. They’re so happy when playing too! “When in Rome (or in this case Hawaii) right”?

I love everything about the ukulele and the culture that surrounds it. Hell, even the Beatles wrote most of their tunes on ukes before transcribing them to guitar (just imagine While my Ukulele Gently Weeps :) ) But is it just me? Or does it seem like in the last few years, around every corner, a ukulele pops up. On the radio, on the television, at the beach, in the park, at school ect…

Being a product of both the 80’s and 90’s, ukuleles just didn’t belong with the rock n roll, pop, and other heavily synthesized music of my time. Although bell-bottoms, slit shades, glitter, and mullets have already made a come-back, I don’t think anybody saw this coming (Maybe I’ll look harder in Nostradamus’s writings). Anyways, In an age where Techno music, Dj’s, rap music, and heavy metal bands are flourishing everywhere, the fairly simple yet effective ukulele, has seemed to have found a unique home for itself in today’s music.

Don’t get me wrong, I’m a proud owner of a Kala ukulele myself (that’s for free guys). I enjoy the natural chime of their gut strings, and of course the simplicity of its four stringed tuning. Also as a musical salesperson for years, I’ve helped unite many folks with their first, second, and third ukuleles. I’m also sure the Music industry is thriving on ukulele sales and the CD sales coming from its sounds.

Seriously though, like we used to say with at the local mom and pop guitar shops “How many guitars can we sell? The same goes with ukuleles. I was even reading a music publishing ad the other day and it read something like this,“ Executive Producers are in desperate need of ukulele instrumentals..All other instrumentals will not be considered” Really?

All I have to say is…….. UKE GUYS ARE MAKING ME CRAZY!!

In all seriousness though, as multi-instrumentalist and a uke player myself; All I have to say is, keep up the music with whatever it is you play; from the washboards and steering wheels to the train whistles and kazoos! VIVA LA UKULELE!

Are you uke crazy? What got you started in playing the ukulele? Let us know in the comments below.

BTW, for all you uke players out there we have just released our new Reunion Blues RB Continental Concert Ukulele Case and our Tenor Ukulele Case.

-Jesse

Photo Credit: Richard Holden

Tina Guo Touring with Michael Jackson Cirque du Soleil

Tina Guo

If you haven’t seen it yet on the Reunion Blues artist page we recently added one of the most talented and inspiring cellists out there to the RB artist roster, Tina Guo. She has developed quite an international following throughout her career as a musician playing everything from classical cello all the way to rock/metal/fusion electric cello.

Now Tina adds to her vast repertoire by touring with the Michael Jackson: The Immortal World Tour by Cirque du Soleil. Starting in October, 2011 they’ll embark on a 14 month long journey throughout Canada and the U.S. and add plenty more people to her international following I’m sure.

Be sure to check Tina Guo’s Facebook page and all of her awesome videos as well. Congrats Tina and thanks for using your Reunion Blues gig bag to protect your instrument.

Review of Phil Angotti and the Lazy Apple Orchestra-People and Places (Our House Records)

What do you get when combining a golden voice, clever songwriting, incredible musicianship, lush harmonies and a love of music? You get Phil Angotti’s new CD release “People and Places”.

Phil draws from American and British power pop influences from the 60’s, 70’s and 80’s but he has crafted his own style. Phil wrote all the songs, and if you like melody, you will like this release. You also get some great grooves and all the extras. I suggest that you get the whole CD (don’t just download a song or two). None of the songs sound the same and they each help build a total work of art. And with the Lazy Apple Orchestra you get a lot of different instruments on each song that you don’t want to miss.

As song # 6 says, “What happened to the songs with the grooves?” Well, I think he answered his own question. Click HERE.