Reunion Blues Backstage Banter

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My Favorite Music Club: P.B. Scotts Music Hall in Blowing Rock, NC

There are the big name music clubs, famous in folklore and popular culture…The Fillmore West in San Francisco, The Fillmore East in New York, CBGB in NY, Tipitinas in New Orleans, The Fox in Atlanta, The Royal Albert Hall in London, the Whiskey A Go-Go in L.A. I’m sure you can add to this list. Once upon a time, high up in the Blue Ridge mountains, there was a club in little ol’ Blowing Rock, North Carolina that was the center of the music universe for many of us that were lucky enough to be there. It was called P.B. Scotts Music Hall and almost 30 years after it closed, it has a Facebook page (Remembering P.B. Scotts) and an annual party to celebrate its reign from 1976-1983.

What made it so special? Did it happen to exist in the golden era of great music? Was it the geodesic dome-shaped wooden building and the feng shui? Was it the high quality performers? Was it the stage? Was I at the age where everyone finds their favorite music spot? Was it the sound man and state of the art Bose sound system? Was it the crowd that came every night expecting great things and ready to make a party happen? Was it the beauty of the Blue Ridge mountains? Was it the party in the parking lot? Heck Yes! It was all of these things. At the time, the disco craze was sweeping the country and I think most people who were there would agree that P.B. Scotts was just the opposite of Studio 54 (the infamous disco club in NY). You did not have to be a celebrity to get in and there were no disco balls.

I saw some incredible, big time performers that played there including Greg Allman, J.J. Cale, Ramsey Lewis, Molly Hatchet, Papa John Creach, andThe Nighthawks (!). B.B. King also played there but somehow I missed that one. My all-time favorite show was the Dixie Dregs. Don’t let the name fool you because they played more styles of music than a jukebox on steroids. Their playing was very dynamic, taking you up and down, fast and slow and they could turn on a dime. This all-instrumental band was fronted by guitar player extraordinaire and band leader Steve Morse. He is probably more famous now for his stint as the latter day guitarist for Deep Purple. But I bet his heart will tell you that The Dixie Dregs at P.B. Scotts was as good as it gets from a musician’s standpoint. The audience hung on every note and beat while dancing, swaying and jumping to the music, only a few feet away from the band. And let’s not forget the regional bands that played there like The Spongetones, Sidewinder, Razz Ma Tazz, etc.! Did somebody say Snuff?! Herein might be the key to P.B. Scotts rating as my favorite music club of all time. It did not matter who was playing. It was always exciting and I don’t remember an off night. Watching and listening to a musical performance there was a very zen experience. You became totally absorbed in the here and now. Tomorrow did not matter.

P.B. Scotts only held about 800 people. In front of the chest high stage was a dance floor. It seemed like the perfect height for a stage. There was a 2nd level balcony and a smaller 3rd level balcony. My favorite spot was the 2nd level, but the dance floor was a good place to go crazy.

Soon after it opened in 1976, I attended my first show. I don’t even remember who played that fateful night, but when I walked through the front doors I felt like I had entered the coolest place in the world. That same feeling came over me every time I went in. Fast forward to 1983. I moved to California and about one month later P.B.s (as we liked to call it) closed, finally succumbing to some funky local laws requiring establishments to serve more food than alcohol. So I got to experience pretty much the whole spectrum of people and music. I will venture to say that I hung out and attended more shows there than anyone, other than employees, and more than some of them. Like that old saying goes, “no brag, just fact”.  I welcome any friendly challengers on this.

One special night in 1982, they had a “Local Band Night”. My band, Crash Landing, performed along with another local band called Justus. What a thrill! Our opening number was the Van Halen version of “You Really Got Me”. During the intro, we almost blew the place up with our homemade pyrotechnics/light show consisting of photographic flash powder in Maxwell House coffee cans.  Just a little too much of the flash powder, but what an intro! It sounded like a bomb went off throwing a huge rush of warm air across the room, and the flash powder blinded everyone for a few seconds. On guitar was Karl Tellekamp, myself on bass guitar, lead vocals by Doug Buttner and Joe Helms on drums. We specialized in tunes by Jimi Hendrix, Van Halen, Robin Trower, ZZ Top and we even had a few original songs. You know Karl had some serious chops to cover those guitar heavyweights.

So how did a music club like this spring up in the Blue Ridge mountains of NC? In 1976, the population of Blowing Rock NC was about 500 year round residents (that’s right, 500). But, it was an affluent part of Watauga county with many summer homes, and in 1976 it was the only town in the county where you could buy alcohol. It was the go-to place for entertainment and nightlife. At first glance, an outsider might look at Blowing Rock and see Mayberry. There were certainly some of the good elements of Mayberry, but it was more complicated than that. Consider the demographics of the region’s population. There was a strong local community, going back for generations, who had a great appreciation of music. There were also many “alternative” people running away from cities to retreat into a simpler mountain lifestyle. Can we call them hippies? There were also the Florida tourists and transplants. But mostly there was Appalachian State University in Boone NC (only 8 miles away) which accounted for the bulk of P.B. regulars…students from all over North Carolina. Swirl all of these people around with a lot of beer and primo music and you had something magical. If I could bottle whatever it was that made it so special, I would be a rich man. But, I am definitely richer, having spent so much time at P.B. Scotts. And short on a few brain cells.

There can never be another place like P.B. Scotts, at least not for me. It was definitely a product of the times. If you were lucky enough to be there, cherish it.

Have any of you had similar experiences with a music club? Let me know about it.

Nashville… “Off Broadway”

A couple weeks ago Reunion Blues had a booth at the 2011 Nashville Summer NAMM show, where we presented our classic leather gig bags and RB Continental cases to music store employees, manufacturers, and professional musicians. Whenever I get the opportunity to travel to other cities I make it a point to try to get a taste of the local music, and this trip was no exception.

Nashville is well known for it’s vibrant music scene, which is concentrated in particular along a several block stretch of Broadway that is lined with honky-tonks, brewpubs, and bars, and filled day and night with musicians strumming, singing, and hoping to catch a break in the city’s ultra-competitive music scene.

As my tastes tend towards the eclectic and obscure, I was looking for something a little bit out of the ordinary. After some research I found an intimate venue located beneath a popular local indie record store just a couple miles from downtown, appropriately called The Basement.

The Basement - including an authentic burnt out letter "T"

This sounded like my kind of place! Jesse Grossmann (our Inside Sales Manager) and I wrapped up the NAMM show, then caught a cab out to 8th Avenue to check it out.

Things got rocking pretty early with opening act Nikki Lane, who was backed by an exceptional group of musicians alternating between twangy americana rock & classic country balladry, with pedal steel complementing Nikki’s melodic vocal style.

The sound was mixed well and the venue was small and intimate – in my opinion an excellent formula for live music (arena shows=meh.)

When Amy LaVere took the stage I could tell we were in for something special. Wearing a venetian style eye mask and with a massive upright bass in tow, she began with a deep subterranean New Orleans groove, backed by shuffling drums, violin, and guitar.

Amy LaVere, performing "Red Banks" from her new record.

Conjuring echoes of Nick Cave, PJ Harvey, and even Billie Holiday, but with a voice and style all her own, Amy and her backing band rolled through an hour and a half set of down-home gypsy jazz peppered with the singer’s quirky and colorful banter. The musicianship was outstanding, the songwriting unique and intriguing, and the setting perfect. Great artists have a way of drawing you in to their world, and Amy LaVere did so with charm and skill. If she happens to be traveling through your neighborhood this summer do yourself a favor and catch the show. Better yet, pick up her new record “Stranger Me” (it’s already getting great reviews so I’d expect we’ll be seeing a lot more of Amy in the future).

Speaking to several of the locals the next day, we discovered that the Basement is fairly well known as a hangout for art-inclined musicians and music fans alike. It felt like we were let in on a little local secret. If you do make it out to Nashville and are looking for an antidote to the Broadway scene, take a drive out to the Basement. For me at least, this is going to be a Summer NAMM tradition.

Review of Phil Angotti and the Lazy Apple Orchestra-People and Places (Our House Records)

What do you get when combining a golden voice, clever songwriting, incredible musicianship, lush harmonies and a love of music? You get Phil Angotti’s new CD release “People and Places”.

Phil draws from American and British power pop influences from the 60’s, 70’s and 80’s but he has crafted his own style. Phil wrote all the songs, and if you like melody, you will like this release. You also get some great grooves and all the extras. I suggest that you get the whole CD (don’t just download a song or two). None of the songs sound the same and they each help build a total work of art. And with the Lazy Apple Orchestra you get a lot of different instruments on each song that you don’t want to miss.

As song # 6 says, “What happened to the songs with the grooves?” Well, I think he answered his own question. Click HERE.

On The Road With The RBC!

 

So recently real life circumstances required me to travel to my hometown of Grand Junction Colorado for a week. About a year ago my good friend, Phil Street, who is also from Grand Junction and was the drummer for my band Crunch here in California moved back to Western Colorado to be closer to his folks.
He’s drumming in a band there called Missy’s End,

 

R to L Joe, Todd and Phil of Missy's End.

R to L Joe, Todd and Phil of Missy's End.

 

led by a talented singer/songwriter named Joe Davis, and they just happened to have a gig scheduled while I was there and asked me to sit in for a couple of songs. This was the perfect opportunity to give our new Reunion Blues RB Continental case the ultimate road test, by checking it in as baggage with the airlines and letting the handlers do their worst. So I caught the bus from Petaluma

 

Me and the RBC at the Petaluma Airporter

Me and the RBC at the Petaluma Airporter

 

to the Oakland Airport on a sunny Saturday morning, arrived at the US Airways baggage check in, handed over the company’s Epiphone Dot Studio in the RB Continental case, checked it in and told them to do their worst!

 

RBC at Oakland Baggage Check-In

RBC at Oakland Baggage Check-In

 

I had to make a connection in Phoenix to Grand Junction. The flight to Phoenix was quite turbulent as their were storms lined up the whole way. Then if that wasn’t enough fun, I got to hop on a 2 propeller prop job for the final leg to GJ.
It had been a number of years since I’d had the pleasure to fly on one of those and I’d forgotten just how much “fun” they can be.

 

Keeping cool on the bouncy prop job

Keeping cool on the bouncy prop job

 

Luckily our pro flight attendant Sandra kept everything calm, cool and under control. Upon landing in Grand Junction all 9 of us intrepid travellers  got off the plane and I headed to baggage claim with more than a bit of apprehension. Within a few minutes I saw the RB Continental Case come down the baggage carousel.

 

RBC arrives GJ baggage carousel

RBC arrives GJ baggage carousel

 

With nervous anticipation I slowly opened the case and voila! There was the Dot in perfect condition. Not a scratch, dent, ding or blemish of any kind. 100% Success!

 

An Epi Dot without a spot!

An Epi Dot without a spot!

 

Now all I had to do was learn Suffragette City by Friday, play the gig and then see how the axe survived the return trip back to the Bay Area.  The gig was at Quincy’s Bar, the only alternative lifestyle bar in Grand Junction, the crowd was probably around 200+ with one of the most interesting mixes of humanity I’ve ever seen.

 

The one and only Quincy's Bar in GJ.

The one and only Quincy's Bar in GJ.

 

The people watching was almost as entertaining as the band. We even had a party bus pull up and out came 25 bouncing bachelorettes ready to rock.

 

Missy's End and yours truly rocking Suffragette City!

Missy's End and yours truly rocking Suffragette City!

 

So we obliged them and then headed to Todd the bass players house for an after gig party until about 3:45 AM. That’s the latest this old man has been out in quite a few years but we had a blast. The next day I had my good friend and martial arts expert  Kerry Wong give the case a good hard karate chop with the guitar in it and yes it survived the Kung Fu test beautifully as well.

 

RBC passes Kerry's Kung Fu Karate Chop test!

RBC passes Kerry's Kung Fu Karate Chop test!

 

After taking care of all my family business it was time to head home. The return trip was smooth even if I did have to find a way to kill 3.5 hours in the Phoenix Airport (UGH!) . I arrived back in Oakland to find my wife and kids waiting for me (a sight for sore eyes for sure!) and waited for the RB Continental to come down the carousel. When we got home my kids helped me check the guitar and as expected it was in perfect condition. I even stuffed some extra clothes, toiletries, etc… in the accessory pockets of the RBC to save space in my carry on. You can literally pack everything you need for a 1 or 2 night gig in this case and not even need any other luggage. And if your guitar happens to fall off a 3 story building or has to be subjected to the whim and whimsy of airline baggage handlers you can at least have some peace of mind knowing that it’s ensconced safely in a Reunion Blues RB Continental Guitar case. That’s my story and I’m sticking with it! Rock on everyone!

"May The Strap Be With You"

So last weekend I was playing my friends Danelectro and I got to finally use one our new Merino Wool guitar straps. From what I have been told by both Brett and Dave, these Merino Wool straps have been selling like hot cakes.  (What are hot cakes anyway?)

Playing my friends Danelectro
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Playing my friends Danelectro

After playing last weekend with the strap I totally understand why these are flying off the shelves. Honestly, it was the most comfortable strap that I have ever used. Don’t let the Merino Wool thing get to you either, they’re not itchy. The full genuine leather tabs on either end also means you don’t have to worry about your heavy guitar tearing through it.

Right now these straps are only available in black, brown, and white pinstripe. However, Dave and I have just recently come up with new designs that should pique your interest even more. We got some samples of these in and they look awesome. Lets just say that after Winter NAMM in January your strap collection is going to have some attitude added to it.
All right, time for me to get back to work (if I must, sigh). In the mean time happy playing and happy holidays.